A Companion to the Works of Heinrich von Kleist (Studies in by Bernd Fischer

By Bernd Fischer

For over one hundred fifty years, Heinrich von Kleist (1777-1811) has been essentially the most broadly learn and played German authors. His prestige within the literary canon is firmly tested, yet he has consistently been one in every of Germany's so much contentiously mentioned authors. Today's severe debate on his distinct prose narratives and dramas is as heated as ever. Many critics regard Kleist as a lone presager of the aesthetics and philosophies of past due 19th- and early twentieth-century modernism. but there will be no doubt that he responds in his works and letters to the philosophical, aesthetic, and political debates of his time. over the past thirty years, the scholarship on Kleist's paintings and lifestyles has departed from the existentialist wave of the Fifties and early Nineteen Sixties and unfolded new avenues for coming to phrases together with his strange expertise. the current quantity brings jointly crucial and cutting edge of those more recent scholarly methods: the essays contain significantly educated, updated interpretations of Kleist's most-discussed tales and dramas. different contributions study Kleist's literary potential and kinds and their theoretical underpinnings. They comprise articles on Kleist's narrative and theatrical strategy, poetic and aesthetic thought, philosophical and political suggestion, and insights from new biographical examine. individuals: Jeffrey L. Sammons, Jost Hermand, Anthony Stephens, Bianca Theisen, Hinrich C. Seeba, Bernhard Greiner, Helmut J. Schneider, Tim Mehigan, Susanne Zantop, Hilda M. Brown, and Seán Allan. Bernd Fischer is Professor of German and Head of the dep. of German at Ohio kingdom collage.

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Monatshefte 67 (1975): 129–44. Corngold, Stanley. The Commentators’ Despair: The Interpretation of Kafka’s Metamorphosis. Port Washington: Kennikat, 1973. De Man, Paul. The Rhetoric of Romanticism. New York: Columbia UP, 1984. Ellis, John M. Heinrich von Kleist: Studies in the Character and Meaning of His Writings. Chapel Hill: U of North Carolina P, 1979. , ed. The Romantic Movement: A Selective and Critical Bibliography for 1981. New York: Garland, 1982. Fetscher, Justus. Verzeichnungen: Kleists “Amphitryon” und seine Umschrift bei Goethe und Hofmannsthal.

Gossman, Lionel. ” PMLA 78 (1963): 201–13. Graham, Ilse. Heinrich von Kleist: Word into Flesh. A Poet’s Quest for the Symbol. Berlin: de Gruyter, 1977. Grathoff, Dirk. ” In Ethik und Ästhetik: Werke und Werte in der Literatur vom 18. bis zum 20. Jahrhundert. Festschrift für Wolfgang Wittkowski zum 70. Geburtstag. Ed. Richard Fisher. : Peter Lang, 1995, 313–27. Greenberg, Martin, tr. Heinrich von Kleist: Five Plays. New Haven: Yale UP, 1988. Gundolf, Friedrich. Heinrich von Kleist. Berlin: Bondi, 1922.

Theisen, Bianca. Bogenschluß: Kleists Formalisierung des Lesens. Freiburg: Rombach, 1996. Vohland, Ulrich. Bürgerliche Emanzipation in Heinrich von Kleists Dramen und theoretischen Schriften. : Peter Lang, 1976. Webber, Andrew J. The “Doppelgänger”: Double Visions in German Literature. Oxford: Clarendon Press, 1996. Wegener, Karl-Heinz. “Amphitryon” im Spiegel der Kleistliteratur. : Peter Lang, 1979. , ed. Positionen der Literaturwissenschaft: Acht Modellanalysen am Beispiel von Kleists Das Erdbeben in Chili.

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